Erik Van Der Weijde - Nina 3-Ply Thanks to Fourteen-Nineteen (London)

Thanks to Fourteen-Nineteen (London)

whether positive or negative

As if to literally turn it's back on the viewer—on it's audience—the paintings' subject looks out at it's own vista disregarding ours and displaying it's indifference to our gaze while addressing and challenging painting's historical love affair with the "portrait

in the north-eastern region of Bosnia-Herzegovina

Caroline Evans on the history and concept of the model

Erik Van Der Weijde - Nina 3-Ply Thanks to Fourteen-Nineteen (London)'Nina' contains photographs of a sleeping dog. Sleeping figures have been present in several of Van der Weijdes publications in the past and it is, as he states, an unconventional but pure and intimate form of portraiture, where the viewer becomes more of voyeur. The intimacy of this title is in sharp contrast with Van der Weijdes other new book Toyota, with images of architecture, devoid of any (human) life. Thanks to 4478zine (Amsterdam). 32 pages,