No Internet, No Art (Second Edition) Telephone Publishing and street vendors contain all

and street vendors contain all the hallmarks of a bygone era

are interspersed with evocative extracts from Hussain’s numerous conversations with Muslim men

writings and personal belongings – trace artefacts infused with personal narratives and the patina of lived experience

we find in her photographs a hybrid swirling of consumer objects and sensory experiences in flux

It is a challenge to disengage from this financial-economic traffic

No Internet, No Art (Second Edition) Telephone Publishing and street vendors contain allToday it has become increasingly difficult to find a person or an object without some kind of connection to the internet. No Internet, No Art is dedicated to exploring what this situation entails with respect to one cultural field in particular: art. This anthology forms both the culmination and a continuation of a series of public events titled Lunch Bytes Thinking about Art and Digital Culture, held in Washington, D. C., which invited artists and