Sternblattsteher (framed) tart_vienna The huge studio

The huge studio

automaton photos become another major theme of his work in 1968 and 1969

By establishing an inverse relationship between the many associative images and a chronological index

There are several factors at play for the viewer: Maria Brunner works are aimed at being overpowering in the painted detail

the absolute authenticity of his approach

Sternblattsteher (framed) tart_vienna The huge studioGunter Damischs very personal pictorial cosmos is characterised by a leitmotif, the pronounced interference between the large and the small, the macrocosmic and the microcosmic. The latent proximity to organic natural forms, amoeba like, unicellular living beings characterise his motif. They show tentacle like spreading feelers, to crystalline growth forms as well as to galactic, energetic agglomerations, a reference to the starry sky with its black