London and the Emergence of a European Art Market, 1780-1820 sustainable and salient features of the

and salient features of the illustrated artworks are identified and discussed

the famed engraver and designer not only praises the structural audacity of Etruscan architecture and contends that the Etruscans—not the Greeks—were the artistic mentors of the Romans but also argues for a Roman-inspired exuberance in design that draws freely on all forms and traditions of ancient art

from ultramarine to madder red to modern colors

Édouard Kopp is assistant curator in the Department of Drawings at the J

Richardson

London and the Emergence of a European Art Market, 1780-1820 sustainable and salient features of theEdited by Susanna Avery Quash and Christian Huemer In the late 1700s, as the events of the French Revolution roiled France, London displaced Paris as the primary hub of international art sales. Within a few decades, a robust and sophisticated art market flourished in London. London and the Emergence of a European Art Market, 17801820 explores the commercial milieu of art sales and collecting at this turning point. In this collection of essays, twenty